Medieval Chivalry Essay -- essays research papers fc

Western Civilization Medieval Chivalry and Knighthood During medieval times knighthood was a class culture, cherished and jealousy guarded by the knightly caste. Knight had the honor of defending the king as well as their country. On the bloody fields of battle a code of chivalry evolved that tempered anger and fury with mercy. It created ways of turning the grim business of fighting into something tolerable, perhaps even acceptable. Chivalry was not only looked upon as a code for war; it was looked upon as a setting for stories of love and romance. Chivalry meant a higher social status as well as recognition. Chivalry as we know it denotes the ideals and practices considered suitable to be a noble. Over time chivalry has been used as the primal word to describe the attitude and actions of men towards women. "The word itself is reminiscent of the milieu in which the ideas connected with it took shape-the aristocratic society of mediaeval France dominated by mounted warriors or chevaliers." From as early as the eleventh century several different sets of ideas represented different standards of chivalric behavior. Over the next four hundred years the concepts of Hanuka, 2 The ideal nobleman developed by and for the feudal class under the influence of changing environments, ideas, political views and economies. The concept of being born into a certain class in society was a great part of medieval life. This concept of the class system was based on the land ownership and duties that were owed to other people. The knights were the military supporters of the feudal lords. The knight fought for his lord and if necessary died for him. However, the feudal inheritance was provided only for the eldest son. Younger sons therefore tended to the church or joined groups of knight lacking land. They worked and did their jobs waiting for the opportunity to marry into an estate. There were three methods of becoming a knight. "The most common involved the King or tenant-in-chief conferring the title, known as 'dubbing'. The second method involved religion, the soon to be knight kept a night vigil with his arms on the altar in front of him. He then took a purifying bath, heard Mass and had his spurs put on it. The dubbing then followed with a formal sermon and a sword. The third method involved the readings of a service Benedictio Novi Militis. Hanuka, 3... ...; Works Cited Barber, Richard. The Knight and Chivalry. New York: Charles Scribner's Sons, 1970. Boutlon, Jonathan Dacre. The Knights of the Crown. Great Britain: The Boydell Press, 1987. Cabell, James Branch. Chivalry. New York and London: 1909. Davis, William Stearns, Life on a Mediaeval Barony. New York and London: Harper and Brothers, 1923. Harper-Bill and Harvey, Christopher and Ruth. Medieval Knighthood IV. Rochester: The Boydell Press, 1992. Lang, Lloyd and Jennifer. Medieval Britain: The Age of Chivalry. New York: St. Martin's Press, 1996. Morgan, Gwendolyn A. Medieval Ballads. New York: Peter Lang, 1996. Painter, Sydney. French Chivalry: Chivalry Ideas and Practices and Mediaeval France. Baltimore: The Johns Hopkins Press, 1985. Ramsey, Lee C. Chivalric Romances: Popular Literature in Medieval England. Bloomington: Indiana University Press, 1983. Wood, Charles T. The Age of Chivalry. New York: Universe Books, 1970. Young, Alan. Tudor and Jacobean Tournaments. London: George Phillips, 1987. British Orders and Awards. London: Kaye and Ward, 1968.